EditorialJamira Esquilin in the auditorium of the High School of Fashion Industries in Manhattan on the day of the annual showcase, May 24, 2023. (Gus Aronson/The New York Times)
EditorialJamira Esquilin in the auditorium of the High School of Fashion Industries in Manhattan on the day of the annual showcase, May 24, 2023. (Gus Aronson/The New York Times)
EditorialMichelle Nasca, whose 16-year-old Chase son took his own life, reacts from the gallery during testimony by Shou Chew, TikTok’s chief executive, at a House Committee on Energy and Commerce hearing on TikTok and its impact on data privacy and online harms, on Capitol Hill in Washington on Thursday, March 23, 2023. (Haiyun Jiang/The New York Times)
EditorialMichelle Nasca, whose 16-year-old Chase son took his own life, reacts from the gallery during testimony by Shou Chew, TikTok’s chief executive, at a House Committee on Energy and Commerce hearing on TikTok and its impact on data privacy and online harms, on Capitol Hill in Washington on Thursday, March 23, 2023. (Haiyun Jiang/The New York Times)
EditorialMichelle Nasca, whose 16-year-old Chase son took his own life, reacts from the gallery during testimony by Shou Chew, TikTok’s chief executive, at a House Committee on Energy and Commerce hearing on TikTok and its impact on data privacy and online harms, on Capitol Hill in Washington on Thursday, March 23, 2023. (Haiyun Jiang/The New York Times)
EditorialA picture of writer Joan Didion in the hand of one of the attendees to her memorial service at the Cathedral of St. John the Divine, New York, on Sept. 21, 2022. (Gus Powell/The New York Times)
EditorialA picture of writer Joan Didion in the hand of one of the attendees to her memorial service at the Cathedral of St. John the Divine, New York, on Sept. 21, 2022. (Gus Powell/The New York Times)
EditorialA stack of rubber soles before being used to repair shoes at the Golden Goose flagship store in Milan, on June 8, 2022. (Gus Powell/The New York Times)
Editorial“Where Do We Come From? What Are We? Where Are We Going?” by Emma Talbot in the Arsenale at the Venice Biennale in Italy, April 23, 2022. (Gus Powell/The New York Times)
EditorialThe Canton Synagogue, built in Venice, Italy in 1532, whose gilded woodwork, curtains and lamps are being cleaned and restored, April 21, 2022. (Gus Powell/The New York Times)
Editorial“Vena Cava” (2021) by Tau Lewis, on display at the Venice Biennale, in the Arsenale, the former shipyard in Venice, Italy, April 22, 2022. (Gus Powell/The New York Times)
EditorialBronwyn Katz’s floor sculpture “G?eg?e,” inspired by an Indigenous tale about diamond extraction, at the 2022 Biennale, in Venice, Italy, April 20, 2022. (Gus Powell/The New York Times)
EditorialSimone Leigh’s “Brick House,” a 16-foot bust, on display at the Venice Biennale, in Italy, on Wednesday, April 20, 2022. (Gus Powell/The New York Times)
EditorialA 12-part tapestry by the Roma artist Ma?gorzata Mirga-Tas on display at the Polish Pavilion at the Venice Biennale in Venice, Italy, April 20, 2022. (Gus Powell/The New York Times)
EditorialSimone Leigh’s “Sentinel” (2022), a 16-foot-tall bronze, inside the U.S. Pavilion at the 59th International Venice Biennale, April 10, 2022. (Gus Powell/The New York Times)
EditorialSimone Leigh’s “Sentinel” (2022), a 16-foot-tall bronze, inside the U.S. Pavilion at the 59th International Venice Biennale, April 10, 2022. (Gus Powell/The New York Times)
EditorialGus Kenworthy of Great Britain, competes in the men?s freeski halfpipe event at the 2022 Winter Olympics in Zhangjiakou, China, Feb. 19, 2022. (Gabriela Bhaskar/The New York Times)