EditorialGary Simmons uses his hands to smear lines in an act of “erasure” while recreating works in paint and chalk on a wall of the Museum of Contemporary Art Chicago, May 17, 2023. (Evan Jenkins/The New York Times)
EditorialGary Simmons uses his hands to smear lines in an act of “erasure” while recreating works in paint and chalk on a wall of the Museum of Contemporary Art Chicago, May 17, 2023. (Evan Jenkins/The New York Times)
EditorialGary Simmons uses his hands to smear lines in an act of “erasure” while recreating works in paint and chalk on a wall of the Museum of Contemporary Art Chicago, May 17, 2023. (Evan Jenkins/The New York Times)
EditorialGary Simmons uses his hands to smear lines in an act of “erasure” while recreating works in paint and chalk on a wall of the Museum of Contemporary Art Chicago, May 17, 2023. (Evan Jenkins/The New York Times)
EditorialGary Simmons uses his hands to smear lines in an act of “erasure” while recreating works in paint and chalk on a wall of the Museum of Contemporary Art Chicago, May 17, 2023. (Evan Jenkins/The New York Times)
EditorialGary Simmons uses his hands to smear lines in an act of “erasure” while recreating works in paint and chalk on a wall of the Museum of Contemporary Art Chicago, May 17, 2023. (Evan Jenkins/The New York Times)
EditorialNew York City Ballet dancers in Keerati Jinakunwiphat?s ?Fortuitous Ash,? at the Lincoln Center in Manhattan on Feb. 1, 2023. (Rachel Papo/The New York Times)
EditorialA damaged street corner in the city of Sievierodonetsk, in the eastern Donetsk region of Ukraine on May 24, 2022. (Finbarr O’Reilly/The New York Times)
EditorialAn armed resident loads his trucks with belongings during a visit to his home in Balyoun, Syria on March 12, 2020. (Tyler Hicks/The New York Times)
EditorialA man visits the site of an attack that killed at least 36 Turkish soldiers last month in Balyoun, Syria on March 12, 2020. (Tyler Hicks/The New York Times)