EditorialDowntown Bend, Ore., which has transformed in recent decades as newcomers have flocked to the city, on March 21, 2023. (Joe Kline/The New York Times)
EditorialGenevieve Hulme Beaman, who plays Lucia Joyce in “Joyce’s Women,” in rehearsal at the Abbey Theater in Dublin, Sept. 9, 2022. (Ellius Grace/The New York Times)
EditorialA rehearsal for the Belarus Free Theater’s “Dogs of Europe,” at the Barbican in London on March 3, 2022. (Jeremie Souteyrat/The New York Times)
EditorialBrandon Victor Dixon, center, in the New Group’s production of “Black No More” at the Pershing Square Signature Center in New York on Jan. 20, 2022. (Sara Krulwich/The New York Times)
EditorialFrom left, Robert Sella, Harry Hadden-Paton, Carmen Cusack and Tony Yazbeck in the musical “Flying Over Sunset” at the Vivian Beaumont Theater in New York, Nov. 7, 2021. (Sara Krulwich/The New York Times)
EditorialFrom left: Alexander Lambie, Ren Dara Santiago and Julissa Contreras, contributors to an audioplay series with episodes set inside the No. 2 train, at the Wakefield 241 Street station in the Bronx, Dec. 18, 2020. (Simbarashe Cha/The New York Times)
EditorialJohn Logan, the creator of Penny Dreadful, on the set of Penny Dreadful: City of Angels at the Melody Ranch Studio in Santa Clarita, Calif., March 13, 2020. (Philip Cheung/The New York Times)