EditorialShe Lov'd Me for the Dangers, plate three from Othello. Th?odore Chass?riau; French, 1819-1856. Date: 1844. Dimensions: 287 ? 339 mm (chine); 345 ? 364 mm (plate); 395 ? 528 mm (sheet). Etching, engraving, roulette and drypoint on ivory China paper, la...
EditorialShe Lov'd Me for the Dangers, plate three from Othello. Th?odore Chass?riau; French, 1819-1856. Date: 1844. Dimensions: 287 ? 339 mm (chine); 345 ? 364 mm (plate); 395 ? 528 mm (sheet). Etching, engraving, roulette and drypoint on ivory China paper, la...
EditorialEdward Buchel, German, 1835-1903, after Heinrich Johann Michael Hofmann, German, 1824-1911, Othello and Desdemona, 19th century, etching and engraving printed in black ink on wove paper, Image: 6 3/8 ? 8 7/8 inches (16.2 ? 22.5 cm).
EditorialOthello?s Speech to the Senators of Venice, c. 1844, Th?odore Chass?riau, French, 1819-1856, France, Graphite on ivory wove paper, permeter mounted on cream laid paper, 220 ? 290 mm.
EditorialShe Lov'd Me for the Dangers, plate three from Othello. Th?odore Chass?riau; French, 1819-1856. Date: 1844. Dimensions: 287 ? 339 mm (chine); 345 ? 364 mm (plate); 395 ? 528 mm (sheet). Etching, engraving, roulette and drypoint on ivory China paper, la...
EditorialThe Return of Othello, from "Othello," Act II, Scene ii. Date/Period: Ca. 1799. Painting. Oil on paper mounted on canvas. Height: 210 mm (8.26 in); Width: 254 mm (10 in).
EditorialCassio shows Bianca the handerkerchief. Othello. The moor of Venice. Simpkin and Co.: London, 1893. act III, scene IV. Source: 11765.k.9, opposite 27. Language: English.
EditorialEmilia takes the handkerchief dropped by Othello as he walks with Desdemona. Othello. The moor of Venice. Simpkin and Co.: London, 1893. colour illustration. Source: 11765.k.9, opposite 22. Language: English.
Editorial'The genu-ine Othello'. Coming between Presidents Lincoln and Davis, a black field hand assumes the character of Othello. He pleads with the two contending forces to sheath their weapons, speaking lines drawn from two separate passages in Act I, Scene ...
EditorialWhile drinking wine, Iago persuades Roderigo to engage Cassio in a fight. Othello. The moor of Venice. Simpkin and Co.: London, 1893. colour illustration. Source: 11765.k.9, page 15. Language: English.
EditorialThe last scene. Othello kills himself, and Iago is arrested. . Othello. The moor of Venice. Simpkin and Co.: London, 1893. Source: 11765.k.9, opposite 41. Language: English.
EditorialA herald with a proclamation from Othello, announces the destruction of the Turkish fleet, and a general celebration. . Othello. The moor of Venice. Simpkin and Co.: London, 1893. colour illustration. Source: 11765.k.9, page 14. Language: English.
EditorialA racist parody of Othello (one of several) which appeared in the decades before slavery was abolished. Othello-Travestie ... Second edition. [The author's preface signed: Ibef. With a frontispiece.]. Dublin : John Kempston, 1813. Source: 2300.b.11.(1....
EditorialOthello defends himself before an assembly that includes the Duke of Venice; Brabantio; Lodovico; Gratiano and various senators. . Othello. The moor of Venice. Simpkin and Co.: London, 1893. The scene is set inside a council-chamber. colour illustratio...
EditorialOthello about to leave the bedchamber after killing his wife, Desdemona. Othello. The moor of Venice. Simpkin and Co.: London, 1893. coloured illustration. Source: 11765.k.9, page 39. Language: English.
EditorialOthello act II scene I- a platform with Desdemona, Othello, Iago, Cassio, Roderigo, Emilia, &c. A Collection of Prints, from pictures painted for the purpose of illustrating the Dramatic Works of Shakspeare, by the Artists of Great Britain. London : J....
EditorialOthello looks at his wife, Desdemona, in her bed. He kills her. Othello. The moor of Venice. Simpkin and Co.: London, 1893. Source: 11765.k.9, page 37. Language: English.
EditorialCassio asks Desdemona to act as an intermediary between himself and Othello, and persuade her husband to reinstate Cassio. Emilia enters the room. Othello. The moor of Venice. Simpkin and Co.: London, 1893. colour illustration. Source: 11765.k.9, page ...
EditorialIago convinces Roderigo to wake Brabantio, Desdemona's father, and tell him about his daughter's elopement. Othello. The moor of Venice. Simpkin and Co.: London, 1893. colour illustration. Source: 11765.k.9, page 3. Language: English.
EditorialThe Return of Othello, from "Othello," Act II, Scene ii. Date/Period: Ca. 1799. Painting. Oil on paper mounted on canvas. Height: 210 mm (8.26 in); Width: 254 mm (10 in).