EditorialColinet Departs in Sorrow: Riven Trunk at Right, from The Pastorals of Virgil. William Blake; English, 1757-1827. Date: 1821. Dimensions: 36 ? 74 mm (image/block); 40 ? 78 mm (sheet). Wood engraving on off-white wove paper. Origin: England.
EditorialSorrow and Pain Punishing Psyche. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1540. Dimensions: 200 x 235 mm (plat...
EditorialThe Lamentation, In the midst of the three Marys, John Joseph of Arimathea and Nicodemus is Mary. Her gaze rests on her son, lying on a shroud, who has just been laid on her lap by Joseph of Arimathea and Nicodemus. Christ's left arm is supported by Ma...
EditorialColinet Departs in Sorrow: Riven Trunk at Right, from The Pastorals of Virgil. William Blake; English, 1757-1827. Date: 1821. Dimensions: 36 ? 74 mm (image/block); 40 ? 78 mm (sheet). Wood engraving on off-white wove paper. Origin: England.
EditorialSorrow and Pain Punishing Psyche. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1540. Dimensions: 200 x 235 mm (plat...
EditorialSecond Class - the parting: 'Thus part we rich in sorrow parting poor'. Date/Period: 1854. Painting,oil on canvas. Height: 694 mm (27.32 in); Width: 966 mm (38.03 in).
EditorialBooklet - `The Record Breaker, Phar Lap, Greatest of all Race Horses', New Century Press, 1932, Booklet published and placed on sale within a few days of Phar Lap's death on 5th April, 1932. It was written by Jack Spinty, a leading Sydney racing writer...
EditorialMoruma, City of Tartary Moscovite, View of the Tartar, city Moruma from the 18th century, Signed: N. Witsen, delineavit, a, sorrow, Chez, Pierre, Van der, Aa, Fig. 21, according to p. 392, Adam Olearius: Voyages tr?s-curieux et tr?s-renommez faits en M...
EditorialDespite the entreaties of his brother to return to rule Ayodhyā, Rāma remains adamant in adhering to his father’s command. He manages finally to persuade Bharata to govern the kingdom until his return after fourteen years. Bharata resolves to dress...
EditorialColinet Departs in Sorrow: Riven Trunk at Right, from The Pastorals of Virgil. William Blake; English, 1757-1827. Date: 1821. Dimensions: 36 ? 74 mm (image/block); 40 ? 78 mm (sheet). Wood engraving on off-white wove paper. Origin: England.
EditorialSorrow and Pain Punishing Psyche. Master of the Die (Italian, active c. 1530-1560); after Michiel Coxcie I (Flemish, 1499-1592); in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1530-1540. Dimensions: 200 x 235 mm (plat...
EditorialColinet Departs in Sorrow: Riven Trunk at Right, from The Pastorals of Virgil. William Blake; English, 1757-1827. Date: 1821. Dimensions: 36 ? 74 mm (image/block); 40 ? 78 mm (sheet). Wood engraving on off-white wove paper. Origin: England.
EditorialHuman Sorrow (Miseres humaines). Dated: in or after 1895. Dimensions: image: 19.3 x 29.1 cm (7 5/8 x 11 7/16 in.) sheet: 24.9 x 34 cm (9 13/16 x 13 3/8 in.). Medium: woodcut on japan paper, perimeter mounted.
Editorial'Loss of 1,300 lives followed by scenes of tragic sorrow : The sunken liner contrasted with Trafalgar square. The Daily Mirror. London, April 17, 1912. Photographs of the relatives of the passangers, making enquiries. Source: The Daily Mirror, page 8.
EditorialDespite the entreaties of his brother to return to rule Ayodhyā, Rāma remains adamant in adhering to his father’s command. He manages finally to persuade Bharata to govern the kingdom until his return after fourteen years. Bharata resolves to dress...
Editorial'Mrs Casey and the county gentlewoman have a bond of sympathy in their sorrow.' A group photograph of the 5th Norfolk (territorials) regiment, showing how many are missing in action. Daily Sketch. London, 1915. Source: Daily Sketch, 2 September 1915, ...
EditorialOriginal binding of dark brown leather, blind tooling, with flap. Hours of the sorrow of the Virgin. Written in Italy, end of XV cent. Source: Royal 2. A.VII, binding flap.
EditorialHuman Sorrow (Miseres humaines). Dated: in or after 1895. Dimensions: image: 19.3 x 29.1 cm (7 5/8 x 11 7/16 in.) sheet: 24.9 x 34 cm (9 13/16 x 13 3/8 in.). Medium: woodcut on japan paper, perimeter mounted.
EditorialSecond Class - the parting: 'Thus part we rich in sorrow parting poor'. Date/Period: 1854. Painting,oil on canvas. Height: 694 mm (27.32 in); Width: 966 mm (38.03 in).
EditorialHuman Sorrow (Miseres humaines). Dated: in or after 1895. Dimensions: image: 19.3 x 29.1 cm (7 5/8 x 11 7/16 in.) sheet: 24.9 x 34 cm (9 13/16 x 13 3/8 in.). Medium: woodcut on japan paper, perimeter mounted.
EditorialPlate 21: Female personifications of Sorrow and Pain at right punishing Psyche at the behest of Venus, who sits at right, from the Story of Cupid and Psyche as told by Apuleius.
EditorialDolor (Sorrow), Antwerp 1560?1628 Venice?, Engraving, 8 3/4 x 10 1/4 in. (22.2 x 26 cm), Prints, Raphael Sadeler I (Netherlandish, Antwerp 1560?1628 Venice (?)), After Maerten de Vos (Netherlandish, Antwerp 1532?1603 Antwerp).
EditorialDiptych with the Virgin and Child and the Crucifixion, early 15th century, Made in possibly Mainz, Middle Rhine Valley, Germany, German, Ivory with metal mounts, Overall: 6 1/8 x 7 3/4 x 9/16 in. (15.6 x 19.7 x 1.5 cm), Ivories, Depicted on the left is...
EditorialSecond Class - The Parting. "Thus part we rich in sorrow, parting poor." Third Class - The Parting, Railway journey, travel by train, Signed and dated in red paint, lower right: "A Solomon. 1855", Abraham Solomon, 1824-1862, British.
EditorialBeethovenfries. Ausschnitt mit der figuralen Komposition "Nagender Kummer" - Beethovenfrieze, personification of "gnawing sorrow",1902. Casein on stucco H:220 cm See also 40-16-02/26-31,40-17-06/2-7.