EditorialStudy of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67.
EditorialStudy of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67.
EditorialStudy of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67.
EditorialThe Triumph of Henry IV, ca. 1630, Oil on wood, 19 1/2 x 32 7/8 in. (49.5 x 83.5 cm), Paintings, Peter Paul Rubens (Flemish, Siegen 1577?1640 Antwerp), This energetic sketch shows Henry IV (1553?1610), King of France, entering Paris 'in the manner of t...
Editorial? ?? ????? ?, Red Cliffs and Green Valleys, late Yuan (1271?1368)?early Ming (1368?1644) dynasty, ca. 1367, China, Hanging scroll; ink on paper, Image: 26 3/4 x 13 1/2 in. (67.9 x 34.3 cm), Paintings, Wang Meng (Chinese, ca. 1308?1385), Wang Meng is no...
Editorial[The Citadel and the Mosque of Mohammed Ali, Cairo], 1870s, Albumen silver print from glass negative, 20.2 x 26.8 cm (7 15/16 x 10 9/16 in.), Photographs, Unknown, This mosque represents just one of the many projects commenced by Muhammad cAli, the ene...
EditorialHeadless statue of Babaef as older man, Old Kingdom, Dynasty 4?5, ca. 2475?2450 B.C., From Egypt, Memphite Region, Giza, Western Cemetery, Mastaba G5230, Harvard-Boston MFA excavations 1914, Limestone, H. 141 ? W. 33.5 cm (55 1/2 ? 13 3/16 in.), The tw...
EditorialHeadless statue of Babaef as younger man, Old Kingdom, Dynasty 4?5, ca. 2475?2450 B.C., From Egypt, Memphite Region, Giza, Western Cemebery, Mastaba G5230, Harvard-Boston MFA excavations 1914, Limestone, H. 120.5 ? W. 37.5 cm (47 7/16 ? 14 3/4 in.), Th...
Editorial0310000246 The Lothar, or Susanna Crystal, c855-c869. The rock crystal is engraved with scenes of the story of Susanna as recorded in the Apocrypha. Each scene is accompanied by an inscription drawn from the Vulgate. In the first four scenes Susanna is...