EditorialShooting quarrel pistons used in elevators, Maces, halberds and swords for fireworks, fig. 14-19, to p. 62 (part 3), 1730, Kazimierz Siemienowicz, Daniel Elrich, Thoma Leonhard Beeren: Vollkommene Gesch?tz-Feuerwerck- Und B?chsenmeisterey-Kunst: Hiebev...
EditorialEnvy (Inividia) The fortunes of life (series title), Envy, a skinny woman with bare breasts, walking to the right. She has snakes like her and has a snake in her right hand. She bites a heart. In the background an oven from which comes a thick cloud of...
EditorialLes Propos de Thomas Vireloque: Misere et corde - quarrel for tops. Paul Gavarni; French, 1804-1866. Date: 1852-1853. Dimensions: 200 ? 161 mm (image); 343 ? 248 mm (sheet). Lithograph in black on ivory wove paper. Origin: France.
EditorialLes Propos de Thomas Vireloque: Misere et corde - quarrel for tops. Paul Gavarni; French, 1804-1866. Date: 1852-1853. Dimensions: 200 ? 161 mm (image); 343 ? 248 mm (sheet). Lithograph in black on ivory wove paper. Origin: France.
EditorialThe quarrel between Tydeus and Polyneikes under the gate of Argos where they have taken refuge. Adrasto, King of Argos, tries to separate them. Appearing in the door are his daughters, destined to marry the two fighting heroes. Crater, Sicilian product...
EditorialPage from Tales of a Parrot (Tuti-nama): Twentieth night: The three suitors again begin to quarrel among themselves for the hand of the devotee?s daughter, c. 1560. India, Mughal, Reign of Akbar, 16th century. Opaque watercolor, ink and gold on paper;.
EditorialLes Propos de Thomas Vireloque: Misere et corde - quarrel for tops. Paul Gavarni; French, 1804-1866. Date: 1852-1853. Dimensions: 200 ? 161 mm (image); 343 ? 248 mm (sheet). Lithograph in black on ivory wove paper. Origin: France.
EditorialAct Three: The Quarrel Scene from the play Chushingura (Treasury of the Forty-seven Loyal Retainers). Katsukawa Shun'ei; Japanese, 1762-1819. Date: 1790-1800. Dimensions: 23.7 x 17.8 cm (9 5/16 x 7 in.). Color woodblock print; koban. Origin: Japan.
EditorialLes Propos de Thomas Vireloque: Misere et corde - quarrel for tops. Paul Gavarni; French, 1804-1866. Date: 1852-1853. Dimensions: 200 ? 161 mm (image); 343 ? 248 mm (sheet). Lithograph in black on ivory wove paper. Origin: France.
EditorialAct Three: The Quarrel Scene from the play Chushingura (Treasury of the Forty-seven Loyal Retainers). Katsukawa Shun'ei; Japanese, 1762-1819. Date: 1790-1800. Dimensions: 23.7 x 17.8 cm (9 5/16 x 7 in.). Color woodblock print; koban. Origin: Japan.
EditorialNakd ‘Ali Beg, Envoy from Persia. A full-length standing figure, in turban and long gown of light-coloured material, reaching to the feet. Over this is a flowing mantle of Isphahan brocade of a darker colour, woven with figures. The hands hold the sa...
EditorialHenri IV, King of France (1533-1610), and his friend, the Duc de Sully, depicting a famous anecdote in which Sully, a rough, outspoken man, asks the King's pardon after a quarrel. Round gilded pewter plaque-15 cm across.
Editorial'Take up our quarrel with the foe ... in Flanders fields'. In Flanders fields / by John McCrae. Illuminated by Ernest Clegg. Mount Vernon, N.Y. : William Edwin Rudge, 1921. Source: YA.2001.a.37287 fifth plate.
Editorial'A family quarrel'. The North and South depicted as a quarreling couple. . Punch, or the London Charivari. London, September 28, 1861. American Civil War. Source: P.P.2570 page 127 volume 41. Language: English.
EditorialNakd ‘Ali Beg, Envoy from Persia. A full-length standing figure, in turban and long gown of light-coloured material, reaching to the feet. Over this is a flowing mantle of Isphahan brocade of a darker colour, woven with figures. The hands hold the sa...
EditorialLa querelle des chiens et des chats et celle des chats et des souris (The Quarrel of Cats and Dogs, and that of Cats and Mice). Dated: published 1759. Medium: hand-colored etching.
EditorialLa querelle des chiens et des chats et celle des chats et des souris (The Quarrel of Cats and Dogs, and that of Cats and Mice). Dated: published 1759. Medium: hand-colored etching.
EditorialThe quarrel between Tydeus and Polyneikes under the gate of Argos where they have taken refuge. Adrasto, King of Argos, tries to separate them. Appearing in the door are his daughters, destined to marry the two fighting heroes. Crater, Sicilian product...
EditorialWoodcut to "Wie der Würffel auff ist Kumen". Published by Max Ayrer, Nuremberg, 1489). This woodcut is divided into two parts. Above: The Devil tempting a knight to gamble, the outbreak of a quarrel at the gaming table punished by death on the whe...
EditorialWest pediment of Parthenon, Acropolis of Athens. Quarrel between Athena and Poseidon for Athens and Attica. 5th century BC. Attributed to Phidias. Detail of Kekrops and Pandrosos. Acropolis Museum. Athens. Greece.
EditorialReconstruction of the West pediment of Parthenon, Acropolis of Athens. According the drawing of K. Schwerzek, 1904. Quarrel between Athena and Poseidon for Athens and Attica. 5th century BC. Acropolis Museum. Athens. Greece.
EditorialBairadi Ragini: Folio from a ragamala series (Garland of Musical Modes), ca. 1605?6, India (Rajasthan, Bikaner), Ink and opaque watercolor on paper, 8 1/4 x 6 1/8 in. (21 x 15.6 cm), Paintings, In this image lovers quarrel and the bedchamber remains em...
EditorialHenri IV, King of France (1533-1610), and his friend, the Duc de Sully, depicting a famous anecdote in which Sully, a rough, outspoken man, asks the King's pardon after a quarrel. Round gilded pewter plaque-15 cm across.
EditorialThe quarrel between Tydeus and Polyneikes under the gate of Argos where they have taken refuge. Adrasto, King of Argos, tries to separate them. Appearing in the door are his daughters, destined to marry the two fighting heroes. Crater, Sicilian product...