EditorialMother playing the flying angel game with a baby. Handcoloured copperplate engraving from Augustin Legrand's Amour et Tendresse (Love and Tenderness), Louis Janet, Paris, 1820.
EditorialBYZANTINE ART. GREECE. Double-sided ICON with the Virgin of Tenderness (GLYKOPHILOUSA) and Saints in front and crucifixion on the back. Dated in the fifteenth century. Workshop conducted by Rhodes. Byzantine Museum. Athens.
Editorial“Raymond and Toby,” 1991, by John Ahearn, from the “Swagger and Tenderness” show at the Bronx Museum of the Arts, in New York, Oct. 29, 2022. (Clark Hodgin/The New York Times)
Editorial“Raymond and Toby,” 1991, by John Ahearn, from the “Swagger and Tenderness” show at the Bronx Museum of the Arts, in New York, Oct. 29, 2022. (Clark Hodgin/The New York Times)
EditorialThe actor James McAvoy at the Harold Pinter Theatre in London, where he stars in an Olivier Award-winning production of “Cyrano de Bergerac,” Feb. 15, 2022. (Robbie Lawrence/The New York Times)