EditorialMimmi Marjamaa, a dance teacher and certified sex therapist, at her mother’s home in Kokkola, Finland on Feb. 20, 2023. (Jake Michaels/The New York Times)
EditorialMimmi Marjamaa, a dance teacher and certified sex therapist, at her mother’s home in Kokkola, Finland on Feb. 20, 2023. (Jake Michaels/The New York Times)
EditorialMimmi Marjamaa, a dance teacher and certified sex therapist, at her mother’s home in Kokkola, Finland on Feb. 20, 2023. (Jake Michaels/The New York Times)
EditorialSchool graduates dance by sandbags protecting the front of the Opera Theater for a video to be posted online, in Odesa, Ukraine, June 15, 2022. (Laetitia Vancon/The New York Times)
EditorialMichigan Gov. Gretchen Whitmer during a campaign event for Joe Biden, then the Democratic presidential nominee, in Southfield, Mich., Oct. 16, 2020. (Ruth Fremson/The New York Times)
EditorialPresident Joe Biden walks from Marine One across the South Lawn at the White House in Washington on Oct. 10, 2022. (Cheriss May/The New York Times)
EditorialSchool graduates dance by sandbags protecting the front of the Opera Theater for a video to be posted online, in Odesa, Ukraine, June 15, 2022. (Laetitia Vancon/The New York Times)
EditorialThe artist Theaster Gates, inside his work “Black Chapel” at Kensington Gardens in London, June 7, 2022. (Lauren Fleishman/The New York Times)
EditorialBeijing is opening its financial system to foreign banks — and they have maintained their traditional openness to the Communist Party’s rule. (Jialun Deng/The New York Times)
EditorialA movement is growing in China against the English language and against Western influence in general in what many Chinese people see as another step away from openness to the world. (Jialun Deng/The New York Times)
EditorialA movement is growing in China against the English language and against Western influence in general in what many Chinese people see as another step away from openness to the world. (Jialun Deng/The New York Times)
EditorialSidewall, Machine-printed, On shiny gold ground, clusters of off-white, tan and brown chrysanthemum-like flowers in various stages of openness alternate with stylized four-petal daisies and buds in same colorway., USA, ca. 1880, Wallcoverings, Sidewall.
EditorialHéctor Zamora’s sculpture “Lattice Detour,” a curved wall of terra cotta bricks, on the roof of the Metropolitan Museum of Art in New York, Aug. 20, 2020. (Hiroko Masuike/The New York Times)