EditorialA view inside a ruined abbey, a little overgrown; on the right, under a surviving corner of the vaulting, a couple walking, the man touching his hat to greet a woman who walks with her daughter, her husband gesturing to the left with his hat. INSIDE VI...
EditorialA view inside a ruined abbey, a little overgrown; on the right, under a surviving corner of the vaulting, a couple walking, the man touching his hat to greet a woman who walks with her daughter, her husband gesturing to the left with his hat. INSIDE VI...
EditorialA view inside a ruined abbey, a little overgrown; on the right, under a surviving corner of the vaulting, a couple walking, the man touching his hat to greet a woman who walks with her daughter, her husband gesturing to the left with his hat. INSIDE VI...
EditorialA view inside a ruined abbey, a little overgrown; on the right, under a surviving corner of the vaulting, a couple walking, the man touching his hat to greet a woman who walks with her daughter, her husband gesturing to the left with his hat. INSIDE VI...
EditorialA view inside a ruined abbey, a little overgrown; on the right, under a surviving corner of the vaulting, a couple walking, the man touching his hat to greet a woman who walks with her daughter, her husband gesturing to the left with his hat. INSIDE VI...
EditorialA view inside a ruined abbey, a little overgrown; on the right, under a surviving corner of the vaulting, a couple walking, the man touching his hat to greet a woman who walks with her daughter, her husband gesturing to the left with his hat. INSIDE VI...
EditorialVarious circus acts involving a horse. In one, Philip Astley is vaulting from one horse to another, over a rope. [A collection of broadsides, cuttings from newspapers, engravings, etc., of various dates, formed by Miss S. S. Banks. Bound in nine volume...
EditorialVarious circus acts involving a horse. In one, Philip Astley is vaulting from one horse to another, over a rope. [A collection of broadsides, cuttings from newspapers, engravings, etc., of various dates, formed by Miss S. S. Banks. Bound in nine volume...
EditorialA view inside a ruined abbey, a little overgrown; on the right, under a surviving corner of the vaulting, a couple walking, the man touching his hat to greet a woman who walks with her daughter, her husband gesturing to the left with his hat. INSIDE VI...
EditorialConstruction in Phoenix on June 17, 2021. Arizona’s desert capital grew at the fastest rate among America’s biggest cities, vaulting it ahead of Philadelphia to officially become the fifth-biggest city in the United States since the last census. (Juan Arredondo/The New York Times)
EditorialTwo studies of Architectural Details, Arnold William Brunner, American, 18571925, Graphite and white heightening on beige paper, Left, early French capital. Right, rib vaulting from the castle at Newcastle., USA, ca. 1879, architecture, Drawing, Drawing.
EditorialRectangular frame, gold (copper alloy). Rectangular frame with on both sides a part of an elongated column and a pointed top (B: 0.5 cm). The top of the frame is oval-shaped. In the frame a third column with several horizontal lines, so that there are ...
EditorialVaulted pot of painted earthenware. The orange paint layer is largely worn down, old bonding, lacuna in the wall, cracks, vaulting pot, earthenware, h: 21.9 cm, diam: 13.9 cm, roman, Netherlands, Limburg, Heerlen, Heerlen.
EditorialVaulted pot of painted earthenware. The orange paint layer is largely worn down, part of the wall near the foot is missing, old bonding, cracks, vaulting pot, earthenware, h: 20.5 cm, diam: 12.5 cm, roman, Netherlands, Limburg, Heerlen, Heerlen.
EditorialVaulted pot of painted earthenware. The orange paint layer is largely worn down, horizontal cracking at the bottom of the wall, cracks at the bottom of the wall, vaulting pot, earthenware, h: 21.6 cm, diam: 14.3 cm, roman, Netherlands, Limburg, Heerlen...
EditorialVaulted pot of painted earthenware. The orange paint layer is largely worn down, cracking in the bottom, chips from the bottom edge, vaulting pot, earthenware, h: 21 cm, diam: 14 cm, roman, Netherlands, Limburg, Heerlen, Heerlen.
EditorialSimon de Vlieger, A Coastal Scene Near Zandvoort, c. 1640, oil on panel, 22 1/4x 34 7/8 in. (56.52x 88.58 cm), A gathering of fisherfolk peddling their catch dominates the foreground. The artist's mastery of perspective is employed here by contrasting ...
EditorialThomas Cole, American, 1801-1848, Vaulting of a Church, between 1801 and 1848, graphite pencil with pen and brown ink on off-white laid paper, Sheet: 19 7/16 ? 25 3/16 inches (49.4 ? 64 cm).
EditorialDrawings and Prints, Print Ornament & Architecture, View in Fisheye perspective of a Hall with Columns and Cross Rib Vaulting, Artist, Hans Pesser, German, active 17th century, Presser, Hans, German, 1600, 1699, ca. 1610?20, 1605, 1615.
EditorialA view inside a ruined abbey, a little overgrown; on the right, under a surviving corner of the vaulting, a couple walking, the man touching his hat to greet a woman who walks with her daughter, her husband gesturing to the left with his hat. INSIDE VI...
EditorialPole vaulting. A demonstration on how to Pole vault. Illustrerad idrottsbok. Handledning i olika grenar af idrott och lekar. Utgifven af. V. Balck ... Stockholm, 1886-88. Source: 7906.df.19 page 239 figure 127. Language: Swedish.
EditorialVarious circus acts involving a horse. In one, Philip Astley is vaulting from one horse to another, over a rope. [A collection of broadsides, cuttings from newspapers, engravings, etc., of various dates, formed by Miss S. S. Banks. Bound in nine volume...
EditorialDrawings and Prints, Print Ornament & Architecture, View in Fisheye perspective of a Hall with Columns and Cross Rib Vaulting, Artist, Hans Pesser, German, active 17th century, Presser, Hans, German, 1600, 1699, ca. 1610?20, 1605, 1615.