EditorialThe confession, 1926, woodcut on ocher paper, sheet: 50.7 x 40.2 cm (largest mass) |, Picture: about 33 x 27.5 cm, Hermann Scherer, R?mmingen/Baden-W?rttemberg 1893?1927 Basel.
EditorialPortrait Arnold B?cklin, 1897, tempera on mahogany wood, 34 x 25 cm, monogrammed and dated lower left: E.W., 1897, Ernst W?rtenberger, Steisslingen b. Radolfzell/Baden-W?rttemberg 1868?1934 Karlsruhe.
EditorialThe Stranger (The Man Who Roams the City), 1924/25, woodcut on paper, self-printing, folia: 57.3 x 44.1 cm (largest mass) |, Picture: 55.1 x 42.5 cm (largest mass), U.l., marked in pencil, Autogenous pressure, next to it with pen in brown: No 12 [?], u...
EditorialPortrait of Arnold B?cklin, c. 1888/1899, oil on lime wood, 95 x 74 cm, unsigned, Ernst W?rtenberger, Steisslingen b. Radolfzell/Baden-W?rttemberg 1868?1934 Karlsruhe.
EditorialSheet from the portfolio The Koral of the Great Baal (after Bertolt Brecht), 1925, woodcut on Japanese paper, with original passe-partout (detached), sheet: 46.7 x 31.3 cm (largest mass) |, Image: 33 x 27.5 cm (largest mass), R. under the illustration ...
EditorialVilla Loverciana with flowering trees, 1926, oil and tempera on canvas, 120.5 x 110.5 cm, signed lower right: H. Scherer, Hermann Scherer, R?mmingen/Baden-W?rttemberg 1893?1927 Basel.
EditorialSheet from the portfolio The Koral of the Big Baal (after Bertolt Brecht), 1925, woodcut on Japanese paper, with original passe-partout (detached), sheet: 46.5 x 30.9 cm (largest mass) |, Picture: 33.1 x 27.3 cm (largest mass), U.r., Signed in pencil: ...