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Editorial
Editorial General Audience 2024
Editorial General Audience 2024
Editorial General Audience 2024
Editorial General Audience 2024
Editorial General Audience 2024
Editorial General Audience 2024
Editorial General Audience 2024
Editorial General Audience 2024
Editorial General Audience 2024
Editorial General Audience 2024
Editorial General Audience 2024
Editorial General Audience 2024
Editorial General Audience 2024
Editorial General Audience 2024
Editorial Pope Emeritus Benedict XVI is serious ill, San Sepolcro, italia - 13 May 2012
Editorial Saint Mary Magdalen Holding a Crucifix; (reverse) The Flagellation.
Editorial Plate 9: Aulus Vitellius with his head turned slightly to the left, from 'The Twelve Caesars'.
Editorial Divina proportione.
Editorial Saint Francis before Pope Honorius III (From Borgo del Santo Sepolcro Altarpiece).
Editorial Plate 6: Nero with his head turned slightly to the right, from 'The Twelve Caesars'.
Editorial Plate 8: Otho in profile facing left, from 'The Twelve Caesars'.
Editorial Plate 5: Tiberius Claudius in profile to the right, from 'The Twelve Caesars'.
Editorial Plate 11: Titus Vespasian looking to the right, from 'The Twelve Caesars'.
Editorial Plate 3: Tiberius turned to the right, from 'The Twelve Caesars'.
Editorial Plate 2: Octavius in profile to the left, from 'The Twelve Caesars'.
Editorial Pittura nella voltadel sepolcro, alla littera Q. notato nella pianta; nella Villa di Mon. Corsini fuori la porta di S. Pancratio., still image, Prints, 1783, Mariette, Pierre-Jean, 1694-1774.
Editorial Antichita trovate a Gozo; Sepolcro trovato a Malta., still image, Prints, 1808, Denon, Vivant (1747-1825), Denon, Vivant (1747-1825), Cecchi, Giovanni Battista (1748-ca. 1807).
Editorial Giovanni da Milano: Christ appears to Mary Magdalene in the garden, Rinuccini Chapel, Santa Croce, Florence, albumin paper, black and white positive process, image size: height: 25.50 cm; width: 18.80 cm, FIRENZE - CHIESA DI S. CROCE IL SEPOLCRO DI G. ...
Editorial Giacomo Brogi, Roma. Sepolcro dei Pancratii, albumin paper, black and white positive process, total: height: 24.80 cm; width: 19.70 cm, inscription: recto bottom: Image no, title; Edizioni Brogi, architectural photography, reporting photography, archit...
Editorial Sepolcro di Absalon, Giovanni Battista Borra, 17131770, Italian, ca. 1750, Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper, Sheet: 21 7/16 x 14 13/16 inches (54.4 x 37.7 cm) and Image: 13 7/8 ...
Editorial Stava ella nel sepolcro; e quivi attrita / Da penitenza, orando giorno e notte, Francesco Bartolozzi RA, 17281815, Italian, active in Britain (176499), after Giovanni Battista Cipriani RA, 17271785, Italian, active in Britain (1755-85), 1773, Engraving.
Editorial Il Castello che al Presente si Dice Sant'Angelo Anticamente Fu il Sepolcro de Adriano, Print made by unknown artist, sixteenth century, Published by Giovanni Orlandi, active 15901640, Italian, Published by Claude Duchet, died ca. 1585, French, Publishe...
Editorial Il Castello che al Presente si Dice Sant'Angelo Anticamente Fu il Sepolcro de Adriano, Print made by unknown artist, sixteenth century, Published by Claude Duchet, died ca. 1585, French, Published by Antonio Lafreri, 15121577, French, 1583, Line engrav...
Editorial Sepolcro di Zagaria, Giovanni Battista Borra, 17131770, Italian, ca. 1750, Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper, Sheet: 21 7/16 x 15 inches (54.5 x 38.1 cm) and Image: 14 5/16 x 9 1/4 inches ...
Editorial Raffaello Schiaminossi, Frontispiece with two figures holding scrolls and cherubs flanking the cartouche at center, from 'The Consecrated Apostolic College' (Il sacrato collegio apostolico), Raffaello Schiaminossi (Italian, Borgo San Sepolcro (Sansepol...
Editorial Frontispiece with a trumpeter sounding trumpets seated on top of a cartouche flanked by trophies, from 'The Twelve Caesars'.
Editorial Tempietto del Santo Sepolcro (Capella Rucellai), a Renaissance copy of the Holy Sepulchre in Jerusalem. Around 1465.
Editorial Piero della Francesca (Borgo San Sepolcro (Sansepolcro), ca. 1415-1492). Portrait of a Boy. (Guidobaldo Da Montefeltro?) (ca. 1483). Tempera on panel. 41 x 27.5 cm.
Editorial Piero della Francesca (Borgo San Sepolcro (Sansepolcro), ca. 1415-1492). Portrait of a Boy. (Guidobaldo Da Montefeltro?) (ca. 1483). Tempera on panel. 41 x 27.5 cm.
Editorial Saint Mary Magdalen Holding a Crucifix; (reverse) The Flagellation.
Editorial The Wolf of Gubbio (From Borgo del Santo Sepolcro Altarpiece).
Editorial The Stigmatisation of Saint Francis (From Borgo del Santo Sepolcro Altarpiece).
Editorial Tomb and effigy of El Cid Rodrigo Diaz and his wife Jimena Diaz 1, Duke of Cardona 2, King of Aragon 3, and portrait of Conquistador Hernan Cortes 4. Sepolcro e simulacro del Cid. Hand-tinted copperplate engraving by Corsi after Giulio Ferrario in his ...
Editorial Plan of a tomb on the Appian Way in Vigna Buonamici (Pianta di un sepolcro sull'antica Via Appia nella Vigna Buonamici), from the series 'Le Antichit? Romane'.
Editorial Plate 6: 'Ruins of an ancient tomb in front of ruins of an ancient aqueduct; above the arches of the latter is the channel which conveyed the water to Rome' (Ruine de sepolcro antico posto dinanzi ad altre ruine d'un Acquedotto pure antico; sopra gli a...
Editorial Plate 9: the Phrygian Sibyl holding the top of a tablet with her left hand and pointing with her right, from the series of 'Sibyls'.
Editorial Saint Mary Magdalen Holding a Crucifix; (reverse) The Flagellation.
Editorial The Annunciation, ca. 1435, Tempera on wood, gold ground, Overall, with engaged (modern) frame, 30 x 17 1/8 in. (76.2 x 43.5 cm); painted surface 28 3/4 x 16 1/8 in. (73 x 41 cm), Paintings, Sassetta (Stefano di Giovanni) (Italian, Siena or Cortona ca....
Editorial Frontispiece with a trumpeter sounding trumpets seated on top of a cartouche flanked by trophies, from 'The Twelve Caesars'.
Editorial Plate 9: Aulus Vitellius with his head turned slightly to the left, from 'The Twelve Caesars'.
Editorial Plate 6: Nero with his head turned slightly to the right, from 'The Twelve Caesars'.
Editorial Plate 8: Otho in profile facing left, from 'The Twelve Caesars'.
Editorial Plate 5: Tiberius Claudius in profile to the right, from 'The Twelve Caesars'.
Editorial Plan of a tomb on the Appian Way in Vigna Buonamici (Pianta di un sepolcro sull'antica Via Appia nella Vigna Buonamici), from the series 'Le Antichit? Romane'.
Editorial Plate 6: 'Ruins of an ancient tomb in front of ruins of an ancient aqueduct; above the arches of the latter is the channel which conveyed the water to Rome' (Ruine de sepolcro antico posto dinanzi ad altre ruine d'un Acquedotto pure antico; sopra gli a...
Editorial Plate 11: Titus Vespasian looking to the right, from 'The Twelve Caesars'.
Editorial Plate 3: Tiberius turned to the right, from 'The Twelve Caesars'.
Editorial Plate 9: the Phrygian Sibyl holding the top of a tablet with her left hand and pointing with her right, from the series of 'Sibyls'.
Editorial Plate 2: Octavius in profile to the left, from 'The Twelve Caesars'.
Editorial Project for a Rectangular Ceiling with Papal Coat of Arms (recto); Design for a Courtyard (verso).
Editorial ARTE RENACIMIENTO. ITALIA. PIERO DELLA FRANCESCA (Borgo Sansepolcro, Arezzo, h. 1420-1492). Pintor italiano. "POLITICO DE LA MISERICORDIA" (1445-1462). Obra encargada por la Compa??a de la Misericordia, hermandad de Borgo San Sepolcro. Detalle de SAN B...
Editorial Piero della Francesca (Borgo San Sepolcro (Sansepolcro), ca. 1415-1492). Portrait of a Boy. (Guidobaldo Da Montefeltro?) (ca. 1483). Tempera on panel. 41 x 27.5 cm.
Editorial Piero della Francesca (Borgo San Sepolcro (Sansepolcro), ca. 1415-1492). Portrait of a Boy. (Guidobaldo Da Montefeltro?) (ca. 1483). Tempera on panel. 41 x 27.5 cm.
Editorial Frontispiece with a trumpeter sounding trumpets seated on top of a cartouche flanked by trophies, from 'The Twelve Caesars'.
Editorial Plate 9: Aulus Vitellius with his head turned slightly to the left, from 'The Twelve Caesars'.
Editorial Plate 6: Nero with his head turned slightly to the right, from 'The Twelve Caesars'.
Editorial Plate 8: Otho in profile facing left, from 'The Twelve Caesars'.
Editorial Plate 5: Tiberius Claudius in profile to the right, from 'The Twelve Caesars'.
Editorial Plan of a tomb on the Appian Way in Vigna Buonamici (Pianta di un sepolcro sull'antica Via Appia nella Vigna Buonamici), from the series 'Le Antichit? Romane'.
Editorial Plate 6: 'Ruins of an ancient tomb in front of ruins of an ancient aqueduct; above the arches of the latter is the channel which conveyed the water to Rome' (Ruine de sepolcro antico posto dinanzi ad altre ruine d'un Acquedotto pure antico; sopra gli a...
Editorial Plate 11: Titus Vespasian looking to the right, from 'The Twelve Caesars'.
Editorial Plate 3: Tiberius turned to the right, from 'The Twelve Caesars'.
Editorial Plate 9: the Phrygian Sibyl holding the top of a tablet with her left hand and pointing with her right, from the series of 'Sibyls'.
Editorial Plate 2: Octavius in profile to the left, from 'The Twelve Caesars'.
Editorial Piero della Francesca (Borgo San Sepolcro (Sansepolcro), ca. 1415-1492). Portrait of a Boy. (Guidobaldo Da Montefeltro?) (ca. 1483). Tempera on panel. 41 x 27.5 cm.
Editorial Project for a Rectangular Ceiling with Papal Coat of Arms (recto); Design for a Courtyard (verso).
Editorial Saint Mary Magdalen Holding a Crucifix; (reverse) The Flagellation.
Editorial Divina proportione.
Editorial Sepolcro a Falerium citt? Etrusca ditrutta. Dated: 1796. Dimensions: plate: 37.9 x 28.4 cm (14 15/16 x 11 3/16 in.) sheet: 49 x 39.4 cm (19 5/16 x 15 1/2 in.). Medium: etching on laid paper.
Editorial Allegory of Borgo San Sepolcro and Anghiari. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in).
Editorial The Stigmatisation of Saint Francis (From Borgo del Santo Sepolcro Altarpiece).
Editorial Sepolcro a Falerium citt? Etrusca ditrutta. Dated: 1796. Dimensions: plate: 37.9 x 28.4 cm (14 15/16 x 11 3/16 in.) sheet: 49 x 39.4 cm (19 5/16 x 15 1/2 in.). Medium: etching on laid paper.
Editorial Saint Mary Magdalen Holding a Crucifix; (reverse) The Flagellation.
Editorial Plate 6: 'Ruins of an ancient tomb in front of ruins of an ancient aqueduct; above the arches of the latter is the channel which conveyed the water to Rome' (Ruine de sepolcro antico posto dinanzi ad altre ruine d'un Acquedotto pure antico; sopra gli a...
Editorial The Stigmatisation of Saint Francis (From Borgo del Santo Sepolcro Altarpiece).
Editorial Allegory of Borgo San Sepolcro and Anghiari. Date/Period: 1563 - 1565. Oil painting on wood. Height: 250 mm (9.84 in); Width: 250 mm (9.84 in).
Editorial Sepolcro a Falerium citt? Etrusca ditrutta. Dated: 1796. Dimensions: plate: 37.9 x 28.4 cm (14 15/16 x 11 3/16 in.) sheet: 49 x 39.4 cm (19 5/16 x 15 1/2 in.). Medium: etching on laid paper.
Editorial Frontispiece with a trumpeter sounding trumpets seated on top of a cartouche flanked by trophies, from 'The Twelve Caesars'.
Editorial Plate 9: Aulus Vitellius with his head turned slightly to the left, from 'The Twelve Caesars'.
Editorial Saint Mary Magdalen Holding a Crucifix; (reverse) The Flagellation.
Editorial Plate 6: Nero with his head turned slightly to the right, from 'The Twelve Caesars'.
Editorial Plate 8: Otho in profile facing left, from 'The Twelve Caesars'.
Editorial Plate 5: Tiberius Claudius in profile to the right, from 'The Twelve Caesars'.
Editorial Plan of a tomb on the Appian Way in Vigna Buonamici (Pianta di un sepolcro sull'antica Via Appia nella Vigna Buonamici), from the series 'Le Antichit? Romane'.
Editorial Plate 6: 'Ruins of an ancient tomb in front of ruins of an ancient aqueduct; above the arches of the latter is the channel which conveyed the water to Rome' (Ruine de sepolcro antico posto dinanzi ad altre ruine d'un Acquedotto pure antico; sopra gli a...
Editorial Plate 11: Titus Vespasian looking to the right, from 'The Twelve Caesars'.
Editorial Plate 3: Tiberius turned to the right, from 'The Twelve Caesars'.
Editorial Plate 9: the Phrygian Sibyl holding the top of a tablet with her left hand and pointing with her right, from the series of 'Sibyls'.