EditorialMayor Eric Adams makes the State of the City address at the Queens Theatre in Queens borough of New York, on Thursday, Jan. 26, 2023. (Caitlin Ochs/The New York Times)
EditorialLondon Cries: Shoe Cleaner. Date/Period: Ca. 1759. Genre subject. Gray, pink, and blue wash over graphite on medium, blued white, slightly textured laid paper. Height: 197 mm (7.75 in); Width: 152 mm (5.98 in).
EditorialNicolet Seymour, a subway cleaner for nearly three years for the Metropolitan Transportation Authority who said that she felt safer with more police around, in New York, Oct. 28, 2022. (Thalia Juarez/The New York Times)
EditorialCarlos Padilla and Rocio Leonardo, members of the Culinary Workers Union Local 226, canvass in Las Vegas on Oct. 19, 2022. (Saeed Rahbaran/The New York Times)
EditorialMandi Cheung, who worked for a while as a cleaner at a quarantine facility for COVID-19 patients, prepares coffee at a shop in Hong Kong, July 19, 2022. (Louise Delmotte/The New York Times)
EditorialLondon Cries: Shoe Cleaner. Date/Period: Ca. 1759. Genre subject. Gray, pink, and blue wash over graphite on medium, blued white, slightly textured laid paper. Height: 197 mm (7.75 in); Width: 152 mm (5.98 in).
EditorialThe Window Cleaner. Theodore Roussel; French, worked in England, 1847-1926. Date: 1889. Dimensions: 201 x 132 mm (image/plate); 210 x 132 mm (sheet, with signature tab). Etching in black on ivory laid paper. Origin: England.