EditorialCarlton Moe, obscured, hugs Raquel Suarez Groen before they go on the red carpet for the final performance of “The Phantom of the Opera” at the Majestic Theater in New York on Sunday, April 16, 2023. (Sara Krulwich/The New York Times)
EditorialCarlton Moe, obscured, hugs Raquel Suarez Groen before they go on the red carpet for the final performance of “The Phantom of the Opera” at the Majestic Theater in New York on Sunday, April 16, 2023. (Sara Krulwich/The New York Times)
EditorialCarlton Moe, obscured, hugs Raquel Suarez Groen before they go on the red carpet for the final performance of “The Phantom of the Opera” at the Majestic Theater in New York on Sunday, April 16, 2023. (Sara Krulwich/The New York Times)
EditorialCarlton Moe, obscured, hugs Raquel Suarez Groen before they go on the red carpet for the final performance of “The Phantom of the Opera” at the Majestic Theater in New York on Sunday, April 16, 2023. (Sara Krulwich/The New York Times)
EditorialCarlton Moe, obscured, hugs Raquel Suarez Groen before they go on the red carpet for the final performance of “The Phantom of the Opera” at the Majestic Theater in New York on Sunday, April 16, 2023. (Sara Krulwich/The New York Times)
EditorialCarlton Moe, obscured, hugs Raquel Suarez Groen before they go on the red carpet for the final performance of “The Phantom of the Opera” at the Majestic Theater in New York on Sunday, April 16, 2023. (Sara Krulwich/The New York Times)
EditorialCarlton Moe, obscured, hugs Raquel Suarez Groen before they go on the red carpet for the final performance of “The Phantom of the Opera” at the Majestic Theater in New York on Sunday, April 16, 2023. (Sara Krulwich/The New York Times)
EditorialThe playwright Jeremy O. Harris, right, with two of the fellows: Asa Haynes, left, and DJ Hills, who is slightly obscured. (Guido Gazzilli/The New York Times)
EditorialThe playwright Jeremy O. Harris, right, with two of the fellows: Asa Haynes, left, and DJ Hills, who is slightly obscured. (Guido Gazzilli/The New York Times)
EditorialThe American playwright Jeremy O. Harris, right, with two of the fellows, Asa Haynes, left, and DJ Hills, who is slightly obscured, during his monthlong residency at the Monteverdi Tuscany in Castiglioncello del Trinoro, Italy, March 21, 2023. (Guido Gazzilli/The New York Times)
EditorialThe American playwright Jeremy O. Harris, right, with two of the fellows, Asa Haynes, left, and DJ Hills, who is slightly obscured, during his monthlong residency at the Monteverdi Tuscany in Castiglioncello del Trinoro, Italy, March 21, 2023. (Guido Gazzilli/The New York Times)
EditorialThe American playwright Jeremy O. Harris, right, with two of the fellows, Asa Haynes, left, and DJ Hills, who is slightly obscured, during his monthlong residency at the Monteverdi Tuscany in Castiglioncello del Trinoro, Italy, March 21, 2023. (Guido Gazzilli/The New York Times)
EditorialThe American playwright Jeremy O. Harris, right, with two of the fellows, Asa Haynes, left, and DJ Hills, who is slightly obscured, during his monthlong residency at the Monteverdi Tuscany in Castiglioncello del Trinoro, Italy, March 21, 2023. (Guido Gazzilli/The New York Times)
EditorialThe American playwright Jeremy O. Harris, right, with two of the fellows, Asa Haynes, left, and DJ Hills, who is slightly obscured, during his monthlong residency at the Monteverdi Tuscany in Castiglioncello del Trinoro, Italy, March 21, 2023. (Guido Gazzilli/The New York Times)
EditorialPresident Joe Biden is welcomed by President Andrzej Duda of Poland, obscured at center right, at the Presidential Palace in Warsaw on Tuesday, Feb.21, 2023. (Doug Mills/The New York Times)
EditorialIkhlas Khan. Bijapur, c.1640. Ikhlas Khan, an Abyssinian officer in the service of the 'Adil Shahi dynasty, facing left, stands in a field holding a straight sword in his right hand, and resting his left hand on the black shield at his side. Two 'talwa...
EditorialDeku to kinchaku, Doll and money bag., Totoya, Hokkei, 1780-1850, artist, [between 1818 and 1830], 1 print : woodcut, color ; 20.8 x 18.7 cm., Print shows a puppet with face obscured by a veil sitting next to a traditional money bag.
EditorialDeku to kinchaku, Doll and money bag., Totoya, Hokkei, 1780-1850, artist, [between 1818 and 1830], 1 print : woodcut, color ; 20.8 x 18.7 cm., Print shows a puppet with face obscured by a veil sitting next to a traditional money bag.
EditorialPhotograph - Bill Elliot, Tommy Woodcock & Phar Lap at the Agua Caliente Handicap, Framed, 20 Mar 1932, Framed hand coloured photograph of Bill Elliot sitting on the back of Phar Lap after the running of the Agua Caliente Handicap race in March, 1932. ...
EditorialNegative - Lake Mundi, Victoria, 1924, A young girl on horseback. She is riding bareback and a woman on the right is holding onto her skirt. There is a man on the left and another woman largely obscured by the horse. A small child is on the left.
EditorialFrom left: Francis Guinan, Eddie Torres (partially obscured), Glenn Davis, Susanna Guzman and K. Todd Freeman in the New York premiere of Bruce Norris’s 2018 play, “Downstate,” at Playwrights Horizons, Oct. 27, 2022. (Sara Krulwich/The New York Times)
EditorialFrom left: Francis Guinan, Eddie Torres (partially obscured), Glenn Davis, Susanna Guzman and K. Todd Freeman in the New York premiere of Bruce Norris’s 2018 play, “Downstate,” at Playwrights Horizons, Oct. 27, 2022. (Sara Krulwich/The New York Times)
EditorialFrom left, King Charles III, Princess Anne (partially obscured) and Prince Andrew walk behind the coffin of their mother, Queen Elizabeth II, in London on Wednesday, Sept. 14, 2022. (James Hill/The New York Times)
EditorialQueen Elizabeth is flanked by President Francois Hollande of France, left, and Prince Philip, the Duke of Edinburgh, partially obscured, as she greets veterans during a ceremony marking the anniversary of the D-Day landing at Sword Beach in Ouistreham, France, June 6, 2014. (Stephen Crowley/The New York Times)