EditorialEcclesiastical Vestment. Dated: c. 1937. Dimensions: Original IAD Object: 42" long; 23" wide. Medium: watercolor, graphite, and gold ink on paper.
EditorialEcclesiastical Vestment (front view). Dated: c. 1940. Dimensions: Original IAD Object: 48" long; 144" wide. Medium: watercolor, graphite, and gouache on paper.
EditorialVestment Chest. Dated: 1940. Dimensions: overall: 24.4 x 35.5 cm (9 5/8 x 14 in.) Original IAD Object: none given. Medium: watercolor, colored pencil, and graphite on paper.
EditorialEcclesiastical Vestment. Dated: c. 1939. Dimensions: Original IAD Object: 42" long; 23" wide. Medium: watercolor, graphite, and gold ink on paper.
EditorialSilver-thread embroidered antimensium bearing the representation of the Lament. Date/Period: 1540 - 1560. Vestment and ecclesiastical jewellery. Height: 400 mm (15.74 in); Width: 530 mm (20.86 in).
EditorialEcclesiastical Vestment. Dated: c. 1939. Dimensions: Original IAD Object: 42" long; 23" wide. Medium: watercolor, graphite, and gold ink on paper.
EditorialSan Gabriel Mission Priest's Vestment from the portfolio "Decorative Art of Spanish California". Dated: 1935/1942. Dimensions: overall: 45.7 x 35.5 cm (18 x 14 in.). Medium: screenprint on paperboard.
EditorialEcclesiastical Vestment (back view). Dated: c. 1940. Dimensions: overall: 35.5 x 26.7 cm (14 x 10 1/2 in.) Original IAD Object: 48" long; 144" wide. Medium: watercolor, gouache and graphite on paper.
EditorialEcclesiastical Vestment. Dated: c. 1937. Dimensions: Original IAD Object: 42" long; 23" wide. Medium: watercolor, graphite, and gold ink on paper.
EditorialEcclesiastical Vestment (front view). Dated: c. 1940. Dimensions: Original IAD Object: 48" long; 144" wide. Medium: watercolor, graphite, and gouache on paper.
EditorialVestment Chest. Dated: 1940. Dimensions: overall: 24.4 x 35.5 cm (9 5/8 x 14 in.) Original IAD Object: none given. Medium: watercolor, colored pencil, and graphite on paper.
EditorialEcclesiastical Vestment. Dated: c. 1939. Dimensions: Original IAD Object: 42" long; 23" wide. Medium: watercolor, graphite, and gold ink on paper.
EditorialPart of a cope (?) made into a cushion, late 17th century, Italian, Silk; metal; linen, 16 1/2 x 38 3/8 in. (41.9x 97.4 cm) with fringe, Textiles-Embroidered, The dark red velvet that decorates this oblong cushion, heavily embroidered in a fully balanc...
EditorialDalmatic, 17th?early 18th century, Italian, Silk; metal; satin, From center back neck: 45 1/2 x 61 1/2 in. (sleeve hem to sleeve hem) (115.6 x 156.2 cm), Textiles-Ecclesiastical, This complete dalmatic (liturgical vestment), tailored in the traditional...
EditorialPanel made from Orphrey Sections, 17th century, Spanish, Silk; metal; linen, 25 3/4 x 8 3/4 in. (65.4 x 22.2 cm), Textiles-Ecclesiastical, Two sections of an orphery (a decorative band placed over a seam on a vestment) were used t make this panel. The ...
EditorialChasuble with Orphreys depicting a saint and bishop saint (front), the Virgin and Child, Saint Martin, and Saint Peter (back), mid-15 century (chasuble); first quarter 16th century (orphreys), Italian, Velvet, From center back neck: 47 1/4 x 27 7/8 in....
EditorialApparel made into cushion, 17th century, Spanish, Silk; metal; linen; wool; hemp, 16 1/2 x 21 in. (41.9 x 53.3 cm), Textiles-Miscellaneous, This apparel, from the front and back of a dalmatic (a liturgical vestment), have been backed with a modern silk...
EditorialBatrashil, 1336, Attributed to Syria, Silk backed with heavy linen, H. 55 in. (139. 7 cm), Textiles-Costumes, This Syrian liturgical vestment, a batrashil, a stole worn by both bishops and priests, is one of the earliest surviving examples of this type...
EditorialAppliqu? from a Vestment, 17th?18th century, Greek, Silk, with silk and silver wrapped silk threads, Diameter: 4 in. (10.2 cm), Textiles-Embroidered.
EditorialChasuble, 17th century, Attributed to Turkey, Silk, metal wrapped thread; lampas (kemha), Textile: H. 46 in. (116.8 cm), Textiles-Woven, A large number of Ottoman silk textiles were destined for export to Europe, where they functioned as secular and re...
EditorialYoke of a Chasuble (Phelonion), 17th century, Probably made in Russia, Silk; embroidered in silk and metal thread with (later) metallic trim, H. 13 1/4 in. (33.7 cm), Textiles-Costumes, The embroidered pattern of tulips and foliate interlace imitates O...
EditorialVestment of an Italian cardinal, 14th century. From a painting of the Last Judgment by Ambrogio Lorenzetti in the Academy of Fine Arts, Siena. He wears a red hat, large red cape with hood, white surplice, blue cassock and red shoes. Handcoloured illust...
EditorialMunio of Zamora, Dominican monk, 13th century. He wears a vestment of cape, scapular, tunic and shoes. From a mosaic gravestone to Munio of Zamora, seventh Master of the Order of Preachers, in the church of Santa Sabina in Rome. Handcoloured illustrati...