EditorialTapestry of the Honors Series. By flemish Pieter van Aelst, 16th century. Detail of the tapestry The Fame depicting roman emperor Julius Caesar on horseback. Tapestries Museum. Royal Palace of La Granja de San Ildefonso. Province of Segovia. Castile an...
EditorialTapestry called The Infamy, part of the Honors Series. Work of the Flemish Pieter van Aelst, 16th century. Detail depicting participants in the float of infamy. Tapestries Museum. Royal Palace of La Granja de San Ildefonso. Province of Segovia, Castile...
EditorialLamentaci?n sobre Cristo muerto. Date/Period: Primera mitad del siglo XVI. Painting. ?leo sobre roble. Height: 100 cm (39.3 in); Width: 142 cm (55.9 in).
EditorialAdhering to antitrust regulation while negotiating collective sustainability targets is proving tougher to navigate for some in the fashion industry. (Kevin Van Aelst/The New York Times)
EditorialAdhering to antitrust regulation while negotiating collective sustainability targets is proving tougher to navigate for some in the fashion industry. (Kevin Van Aelst/The New York Times)
EditorialA detail of “Saint Paul Directing the Burning of the Heathen Books,” a tapestry designed by the Flemish artist Pieter Coecke van Aelst in the 1530s at the Metropolitan Museum in New York on Oct. 3, 2022. (Vincent Tullo/The New York Times)
EditorialVertumnus and Pomona. Detail from the tapestry belonging to the the set "History of Vertumnus and Pomona", based on cartoons attributed to the Flemish artist Pieter Coecke van Aelst (1502-1550). Flanders, mid-16th century. Wool, silk and gold thread. C...
EditorialPieter Coecke van Aelst (1502-1550). Flemish painter. Triptych of the Descent from the Cross. Central panel: Descent from the Cross, c. 1540-1545. Oil on oak panel. Detalle. From the Convento dos Rem?dios, Lisbon. National Museum of Ancient Art. Lisbon...
EditorialPrudentia (Prudence), from Los Honores. Presumably after a design by Bernard van Orley (Netherlandish, c. 1492-1542) and unidentified artist, 1520/25; Possibly woven at the workshop of Pieter van Aelst (Flemish, c. 1450-1533; left side); Flanders, Brus...
EditorialJustitia (Justice) from Los Honores. Presumably after a design by Bernard van Orley (Netherlandish, c. 1492-1542) and unidentified artist, 1520/25; Possibly produced at the workshop of Pieter van Aelst (Flemish, c. 1450-1533; top left corner an dcenter...
EditorialThe Justice Department is using antitrust law to charge employers with colluding to hold down wages. The move adds to a barrage of civil challenges. (Kevin Van Aelst/The New York Times)
EditorialRecto: The Month of April (Figures in a park near a castle); Verso: Youth from The Three Ages of Man (?)(Merry-makers). Date/Period: Ca. 1540. Drawing. Pen and brown ink, brush and brown wash on cream laid paper.
EditorialPerpetual Calendar, Ortensio Toro, Italian, active 16th century, Giovanni Battista De Rossi, Italian, ca. 1601 - 1678, Nicolaus van Aelst, Flemish, ca. 1527 - 1613, Engraving on laid paper, Circular table, with the arms of Cardinal Ippolito Aldobrandin...
EditorialRecto: The Month of April (Figures in a park near a castle); Verso: Youth from The Three Ages of Man (?)(Merry-makers). Date/Period: Ca. 1540. Drawing. Pen and brown ink, brush and brown wash on cream laid paper.