EditorialThe composer Tod Machover’s score for his opera of Richard Powers’s novel “The Overstory,” in New York, March 2, 2023. (Alex Hodor-Lee/The New York Times)
EditorialThe composer Tod Machover’s score for his opera of Richard Powers’s novel “The Overstory,” in New York, March 2, 2023. (Alex Hodor-Lee/The New York Times)
EditorialLeaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
EditorialLeaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
EditorialLoretta Staples, who was a user interface designer in the 1980s and ’90s, in Waterbury, Conn., March 14, 2021. (Sasha Rudensky/The New York Times)
EditorialTextile, Medium: cotton Technique: discontinuous supplementary weft in gauze; foundation: supp. wefts interface in plain weave on the paired gauze warps; ends: bands of plain weave at top and bottom, Border of stylized interlocking birds and frets, wit...
EditorialEmail, which has been around for as long as we can remember using the internet, is a source of pain with no treatment plan. (Glenn Harvey/The New York Times)