Editorial" Heiligblut-Altar", altar of the Holy Blood, 1500-1504. Center: the Last Supper; left: Christ rides into Jerusalem; right: Christ on the Mount of Olives. Lime-wood, glass-windows in the background of the Supper-scene. See 40-03-07 / 45-49.
EditorialA Bishop Saint (Burchard of W?rzburg?). Dated: c. 1515/1520. Dimensions: overall: 82.3 x 47.2 x 30.2 cm (32 3/8 x 18 9/16 x 11 7/8 in.). Medium: linden wood with traces of polychromy.
EditorialTilman Riemenschneider, Mother of God on the crescent moon, lime tree, lime wood with remains of old setting, Total: Height: 139 cm, Sculptures, Mary with Christ Child (Madonna), Immaculata (Mary on the crescent moon), Medieval art, Tilman Riemenschnei...
EditorialTilman Riemenschneider, (artist), German, c. 1460 - 1531, A Bishop Saint (Burchard of W?rzburg?), c. 1515/1520, linden wood with traces of polychromy, overall: 82.3 x 47.2 x 30.2 cm (32 3/8 x 18 9/16 x 11 7/8 in.).
Editorial" Heiligblut-Altar", altar of the Holy Blood, 1500-1504. Center: the Last Supper; left: Christ rides into Jerusalem; right: Christ on the Mount of Olives. Lime-wood, glass-windows in the background of the Supper-scene. See 40-03-07 / 45-49.
EditorialTomb of Prince-bishop Rudolf von Scherenberg (1401-1495). Elected at age 65 and expected to make room for a younger man soon, he surprised his chapter by reigning for 29 years. Red marble, around 1500.
EditorialThe Annunciation Angel from an Annunciation group, On a piece of land the angel kneels to the right on one knee, has the right hand forward and holds a spell band in the left. His lush curly hair falls over the shoulders, his gaze is slightly raised, t...
Editorial" Heiligblut-Altar", altar of the Holy Blood, 1500-1504. Center: the Last Supper; left: Christ rides into Jerusalem; right: Christ on the Mount of Olives. Lime-wood, glass-windows in the background of the Supper-scene. See 40-03-07 / 45-49.
EditorialSaint Stephen, 1502-1508. Tilman Riemenschneider (German, c. 1460-1531). Lindenwood with polychromy and gilding; overall: 93.5 x 35 x 23.5 cm (36 13/16 x 13 3/4 x 9 1/4 in.).
EditorialSaint Lawrence, 1502-1508. Tilman Riemenschneider (German, c. 1460-1531). Lindenwood with polychromy and gilding; overall: 93.8 x 38.5 x 21.8 cm (36 15/16 x 15 3/16 x 8 9/16 in.).
EditorialSaint Jerome and the Lion (From the former Church of St. Peter in Erfurt), c. 1495. Tilman Riemenschneider (German, c. 1460-1531). Alabaster; overall: 37.8 x 28.1 x 15.9 cm (14 7/8 x 11 1/16 x 6 1/4 in.).
EditorialA Bishop Saint (Burchard of W?rzburg?). Dated: c. 1515/1520. Dimensions: overall: 82.3 x 47.2 x 30.2 cm (32 3/8 x 18 9/16 x 11 7/8 in.). Medium: linden wood with traces of polychromy.
Editorial" Heiligblut-Altar", altar of the Holy Blood, 1500-1504. Center: the Last Supper; left: Christ rides into Jerusalem; right: Christ on the Mount of Olives. Lime-wood, glass-windows in the background of the Supper-scene. See 40-03-07 / 45-49.
EditorialA Bishop Saint (Burchard of W?rzburg?). Dated: c. 1515/1520. Dimensions: overall: 82.3 x 47.2 x 30.2 cm (32 3/8 x 18 9/16 x 11 7/8 in.). Medium: linden wood with traces of polychromy.
EditorialSaints Christopher, Eustace, and Erasmus (Three Helper Saints), ca. 1500?1505, Made in W?rzburg, Germany, German, Limewood, Overall: 21 x 13 x 4 3/4 in. (53.3 x 33 x 12.1 cm), Sculpture-Wood, Tilman Riemenschneider (German, 1460?1531), The figures in t...
EditorialSeated Bishop, ca. 1495, Made in W?rzburg, Lower Franconia, German, Limewood and gray-black stain, 35 1/2 x 14 x 5 7/8 in. (90.2 x 35.6 x 14.9 cm), Sculpture-Wood, Tilman Riemenschneider (German, 1460?1531), Late medieval limewood sculptors in SouthGer...
EditorialStanding Bishop, ca. 1505, Made in W?rzburg, Lower Franconia, Germany, German, Limewood with paint and gilding, Overall: 46 1/16 x 13 3/8 x 9 1/2 in. (117 x 34 x 24.1 cm), Sculpture-Wood, Workshop of Tilman Riemenschneider (German, 1460?1531).
Editorial" Heiligblut-Altar", altar of the Holy Blood, 1500-1504. Center: the Last Supper; left: Christ rides into Jerusalem; right: Christ on the Mount of Olives. Lime-wood, glass-windows in the background of the Supper-scene. See 40-03-07 / 45-49.