EditorialMaria Bermudez, a guest artist, with Emilio Ochando, who is directing and choreographing the Flamenco Vivo Carlota Santana performances, at the company’s studio in New York, June 8, 2023. (Hiroko Masuike/The New York Times)
EditorialMaria Bermudez, a guest artist, with Emilio Ochando, who is directing and choreographing the Flamenco Vivo Carlota Santana performances, at the company’s studio in New York, June 8, 2023. (Hiroko Masuike/The New York Times)
EditorialMaria Bermudez, a guest artist, with Emilio Ochando, who is directing and choreographing the Flamenco Vivo Carlota Santana performances, at the company’s studio in New York, June 8, 2023. (Hiroko Masuike/The New York Times)
EditorialMaria Bermudez, a guest artist, with Emilio Ochando, who is directing and choreographing the Flamenco Vivo Carlota Santana performances, at the company’s studio in New York, June 8, 2023. (Hiroko Masuike/The New York Times)
EditorialFrom left: Bernardo Bermudez, Tivoli Treloar and Tiffany Townsend rehearsing for Kate Soper’s “The Romance of the Rose,” in Los Angeles, Feb. 11, 2023. (Maggie Shannon/The New York Times)
EditorialTurkish President Recep Tayyip Erdogan welcomes his Cuban counterpart Miguel Mario Diaz-Canel Bermudez with an official ceremony, Ankara, Turkey - 23 Nov 2022
EditorialNatasha Bermudez, bar director at the Peruvian eatery, Llama Inn, strains a pot of chicha morada in New York, Sept. 23, 2022. (Jose A. Alvarado Jr./The New York Times)