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Editorial El Salvador
- 2024-02-22
- 2
Editorial El Salvador
- 2023-12-07
- 1
Editorial El Salvador
- 2023-12-07
- 1
Editorial El Salvador
- 2023-12-07
- 1
Editorial El Salvador
- 2023-12-07
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-22
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-16
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-16
- 11
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-16
- 3
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-16
- 3
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-16
- 5
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-16
- 7
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-16
- 2
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-16
- 3
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-16
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-16
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-16
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-16
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-16
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-16
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-16
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-16
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-16
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-16
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-16
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-16
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-16
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-16
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-16
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-16
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-16
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-16
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-16
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-15
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-15
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-15
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-15
- 2
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-15
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-15
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-15
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-15
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-15
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-15
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-14
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-14
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-14
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-07
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-07
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-07
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-07
- 1
Editorial The Yowie hotel in Philadelphia, June 12, 2023. (Naomieh Jovin/The New York Times)
- 2023-06-07
- 1
Editorial Column (left) from Casa di Caccia Antica or House of the Ancient Hunt, VII.IV.48, Column (right) from Domus M. Asellini or House of Adonis, VI.VII.18, head of Oceanus from Domus M. Holconi Rufi or House of Holconius Rufus, VIII.IV.4, and decorated corn...
- 2022-01-18
- 1
Editorial Cornices for Beds or Windows, in Chippendale Drawings, Vol. I, ca. 1753?54, Black ink, gray wash, sheet: 8 1/16 x 12 1/2 in. (20.5 x 31.8 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718?1779 London).
- 2022-01-18
- 1
Editorial Figures of followers, heralds, pages, lansquenets, on the cornices of the " Kaisersaal", the Emperor's Hall, Wuerzburg Episcopal Residence. 1753 For Wuerzburg see 14-02-02 / 46-58, 14-01-04 / 21-43.
- 2022-01-18
- 2
Editorial Console tables, Giuseppe Barberi, Italian, 17461809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Lower row: two left halves of projects. Frame and top have the shape of cornices of an entablature, the leg has the shape of...
- 2021-02-22
- 1
Editorial Fatehpur Sikri, Birbals Palace, India, Lockwood de Forest, American, 18501932, Brush and oil on thin paperboard, Ochre buildings seen from corner situated in sandy landscape. Central building has two stories, each accentuated with projecting cornices a...
- 2021-02-22
- 1
Editorial Details of Church, Stonework, Arnold William Brunner, American, 18571925, Graphite on paper, Cornices from Notre Dame de Chartres, Semur and Soissons., USA, 187980, architecture, Drawing, Drawing.
- 2021-02-22
- 1
Editorial Design for a door frame, Carlo Marchionni, Italian, 17021786, Graphite, black crayon, brush and black wash on laid paper, An inscription tablet from which two garlands are suspended in front of the top part of the door frame. The over door is formed by...
- 2021-02-22
- 1
Editorial Design for a Sacristy Gate of a Chapel of the Torlonia Family, Brush and watercolor, graphite on paper, Design for a gate of a chapel of the Torlonia family, intended to be executed in metal, probably for the chapel in St. Giovanni in Laterno, Italy. A...
- 2021-02-22
- 1
Editorial Design for a Chimneypiece, Pen and ink, brush and watercolor on paper, The alternative suggestions refer to a different form of the cornices of the entablature, to a different decoration of most moldings, to the use of a red st one, at right, a yellow ...
- 2021-02-22
- 1
Editorial Window Case, Filippo Marchionni, Italian, 17321805, Charcoal, pen and ink, brush and dark brown watercolor on laid paper, Broken pediment with very small cornices. The attic of the central part has an opening in which a bust rests. Above the window fra...
- 2021-02-22
- 1
Editorial Two Designs for Prison Doorway Erected by Pope Pius VI, Giuseppe Barberi, Italian, 17461809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Top: plain, rustic framing of an oblong opening. Cones stand on round pedestals before t...
- 2021-02-22
- 1
Editorial Design for a Tabernacle, Giuseppe Barberi, Italian, 17461809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, Standing in the center of the altar furniture, above moldings, are two angels which lift a curtain. Above the...
- 2021-02-22
- 2
Editorial Study for the Fifth Avenue Elevation of the New York Public Library, Whitney Warren Jr., American, 18641943, Graphite, brush and ink, pen and ink on tan paper, Horizontal building with rows of windows and cornices. No lions are shown, but the word: Lio...
- 2021-02-22
- 1
Editorial Console table with candlestick, Giuseppe Barberi, Italian, 17461809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The supports are two oblique pillars with lion's feet connected above these by moldings. The frame has the shap...
- 2021-02-22
- 1
Editorial Entablature of an altar in Villa Derossi, Giuseppe Barberi, Italian, 17461809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Above are the cornices of an entablature, with, below, at left, a capital with an eagle in front, and...
- 2021-02-22
- 1
Editorial Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 17461809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Above at right: the elevation of a tomb structure. In front of the panels beside the door fram...
- 2021-02-22
- 1
Editorial Pedestal of a column, Giuseppe Barberi, Italian, 17461809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, The main frieze is fluted, with a circular medallion in the center of the sides which are connected by a band. ...
- 2021-02-22
- 1
Editorial Elevation of a Door Case, Filippo Marchionni, Italian, 17321805, Black chalk, brush and sepia wash on laid paper, Broken pediment with shells beneath cornices. What seems to be a grotesque mask is in the center of the attic., Italy, 175075, architectur...
- 2021-02-22
- 2
Editorial Architectural Details of StoneworkAuxerre, Arnold William Brunner, American, 18571925, Graphite on paper, Cornices, bases, and abaci in St. Etienne, Auxerre., USA, 187980, architecture, Drawing, Drawing.
- 2021-02-22
- 2
Editorial The New Theatre, Graphite, brush and gray wash, black ink on cream paper, Fa?ade of building with fifteen square windows in upper section; five arched windows with keystone cornices in lower section, and five double doors at street level. Lights hang f...
- 2021-02-22
- 1
Editorial Console, Giuseppe Barberi, Italian, 17461809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Supporting cornices. Turned toward the right. Spirals are at both ends. The front is covered with bosses and, above, with leaves. Usua...
- 2021-02-22
- 1
Editorial Console table, Giuseppe Barberi, Italian, 17461809, Pen and brown ink, brush and brown wash on off-white laid paper, Slightly curved. Supported by two pillars with lion's feet. They are connected below and above; above by a board with two symmetrical b...
- 2021-02-22
- 2
Editorial Design for a Hand Bell in Neo-Renaissance Style, Pen and ink, brush and wash, graphite on paper, On a sheet of Chailleat's drawing book. The handle consists of volutes, with the heads up children above. Below, in the interval, are masks. On top is a ri...
- 2021-02-22
- 1
Editorial Design for an Altar, Filippo Marchionni, Italian, 17321805, Pen and brown ink, brush and gray wash, black chalk, streak of brown chalk on white laid paper, Vertical rectangle. The mensa, altar stone, stands in the center of a sockle part, upon which a ...
- 2021-02-22
- 1
Editorial Recto: candlesticks; Verso: mausoleum in a church-like hall, Giuseppe Barberi, Italian, 17461809, Pen and brown ink, brush and brown wash on off-white laid paper, Recto, at left: two griffins support crouching a calyx from which leaf scrolls rise. Two ...
- 2021-02-22
- 2
Editorial Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, Below are bases. Upon them stand upon plinths a frame in TT form, and a receding vertical stripe on either side. The grame has inside a molding with an ovolo and a row of ...
- 2021-02-22
- 1
Editorial Console table, Giuseppe Barberi, Italian, 17461809, Pen and brown ink, brush and brown wash, red ink on off-white laid paper, The legs spring from calices and are round posts, fluted, except above, where they are angular with a tall oval medallion, wit...
- 2021-02-22
- 1
Editorial Architectural Studies, Filippo Marchionni, Italian, 17321805, Charcoal, brush and sepia, black-brown watercolor on laid paper, Left row: a console with a mask; upper part of door case, laterally framed by a pilaster. A decorated panel is in the frieze ...
- 2021-02-22
- 1
Editorial Frame, wood (pine), carved and gilded, In the scheme of an altar retable. The inner frame has a shield shape. Shells rise over its top scrolls. Acanthus leaves cover it at the lower sides. An attic pediment rises in the middle, formed by two pilaster p...
- 2021-02-22
- 1
Editorial Design for a Window Case, Filippo Marchionni, Italian, 17321805, Pen and ink on laid paper, A broken pediment, with rams head in the center above a drapery supported by the cornices; a crown on top. in the window opening is the upper part of a man with...
- 2021-02-22
- 1
Editorial Console table, Giuseppe Barberi, Italian, 17461809, Pen and brown ink, brush and brown wash, red ink on off-white laid paper, Supported by two legs consisting of a small calyx below and a tall calyx above, supporting a cylindrical piece with festoons a...
- 2021-02-22
- 1
Editorial Elevation of a church, Giuseppe Barberi, Italian, 17461809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The main part of the facade is the portico, consisting of two columns and two pillars, with a triangular pediment above t...
- 2021-02-22
- 1
Editorial Design for a Double Door with Overdoor, Giuseppe Barberi, Italian, 17461809, Pen and brown ink, brush and brown wash, With the left door folding. It is divided into panels and a central horizontal band, and a circle with a lion mask. The panels have ab...
- 2021-02-22
- 1
Editorial Project for an Altar, Pen and brown ink Support: off-white laid paper on secondary paper support, In the central part above the mensa is a sepulchre with the body of a Saint. In front of the second story of the retable is a reliquary box with a cherub ...
- 2021-02-22
- 1
Editorial Sketches of an Altar, a Chapel Section, a Capital and Profiles of Cornices, Gilles-Marie Oppenord, French, 16721742, Pen and brown ink with gray wash; verso: pen and brown ink, Recto: Vertical rectangle. Top left, corner of a sarcophagus; below, an alt...
- 2021-02-22
- 2
Editorial Eight designs for altar mensae, Giuseppe Barberi, Italian, 17461809, Pen and brown ink, brush and brown wash, First row: two left sides; at left: similar to -1368, with the lateral part receding and decorated with a panel; at right: similar to -1368, w...
- 2021-02-22
- 1
Editorial Design for the East Portal, Grand Gallery, Villa Albani, Rome, Italy, Carlo Marchionni, Italian, 17021786, Pen and brown ink, brush and brown, gray wash, graphite on cream laid paper, Above the door frame is a half circle with a trophy of arms of Cardi...
- 2021-02-22
- 1
Editorial Project: The elevation of an altar, Black chalk, pen, ink, brush and bistre on paper, Vertical composition with the elevation of an altar. Three steps lead to the mensa in the center of a dado. A niche with triangular pediment forms the central part of...
- 2021-02-22
- 1
Editorial Four tables, Giuseppe Barberi, Italian, 17461809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Left side. Above at left, the frame has below the shape of a fluted bowl; above are cornices. The leg is a winged chimera; her mou...
- 2021-02-22
- 1
Editorial Doorframe, Giuseppe Barberi, Italian, 17461809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Shown slightly oblique, without the bottom part. Moulded frame. Triangular pediment supported by brackets. Festoons in the panels...
- 2021-02-22
- 1
Editorial Design for a Doorcase, Giuseppe Barberi, Italian, 17461809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The door frame consists of moldings, with an entablature and a broken pediment with a central vase. Two children; the le...
- 2021-02-22
- 1
Editorial Chairs, fruitwood, wool tapestry, brass-headed nails, The chairs' frames are of carved, unpainted fruitwood. The chairs' backs, seats, and armpads are upholstered and eged with brass-headed nails. The chairs' backs are rectangular, wider at the top tha...
- 2021-02-22
- 1
Editorial Design for an altar of the Virgin, Carlo Marchionni, Italian, 17021786, Pen and sepia ink, brush and gray watercolor on laid paper, Two angels support a frame of an image, with two cherubim on top. Two others support a label above. Upon the cornices of...
- 2021-02-22
- 1
Editorial Decorative Motifs and the Head of a Woman, Black chalk, pen and ink, brush and grey watercolor washes, blotted red crayon, lead pencil on laid paper. On verso: red crayon on laid paper., Vertical rectangle. On left, two overdoors. On the top frame sits...
- 2021-02-22
- 1
Editorial Two Designs for Console Tables, Giuseppe Barberi, Italian, 17461809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Two left sides. At left: the support is a siren with a tail forming a circle below the center of the frame, wit...
- 2021-02-22
- 1
Editorial Project: The elevation of an organ case, Pen ink, lead pencil and bistre with gray water color washes on paper, Vertical composition of an organ case with pipes in an aedicula with a cherub and scrolls. The wings of an imaginary curtain are seen above ...
- 2021-02-22
- 1
Editorial Wall Elevation, Giuseppe Barberi, Italian, 17461809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Shaped like an apsis. The main part is decorated with a kind of temple front with a female statue in each of the five intercolu...
- 2021-02-22
- 1
Editorial Designs for Two Console Tables, with a Female Head, Giuseppe Barberi, Italian, 17461809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, From left to right. The head seen in profile, turned toward right. The left side of a table...
- 2021-02-22
- 1
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