EditorialVisitors explore the upper level of the trampoline-like steel web of “Free The Air: How to Hear the Universe in a Spider/Web,” a centerpiece of Tomás Saraceno’s exhibition at the Shed in New York on Feb. 12, 2022. (George Etheredge/The New York Times)
EditorialCharles Smith, the visionary artist and creator of the African-American Heritage Museum and Black Veterans Archive, at his trailer-house studio in Hammond, La., on June 10, 2022. (Annie Flanagan/The New York Times)